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A documentary of the Mind: Self, Cognition and Imagination in Anders Østergaard's film

Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

Standard

A documentary of the Mind : Self, Cognition and Imagination in Anders Østergaard's film. / Bondebjerg, Ib.

Cognitive Theory and Documentary Film. ed. / Catalin Brylla; Mette Kramer. Cham : Palgrave Macmillan, 2018. p. 21-37.

Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

Harvard

Bondebjerg, I 2018, A documentary of the Mind: Self, Cognition and Imagination in Anders Østergaard's film. in C Brylla & M Kramer (eds), Cognitive Theory and Documentary Film. Palgrave Macmillan, Cham, pp. 21-37. https://doi.org/10.1007/978-3-319-90332-3_2

APA

Bondebjerg, I. (2018). A documentary of the Mind: Self, Cognition and Imagination in Anders Østergaard's film. In C. Brylla, & M. Kramer (Eds.), Cognitive Theory and Documentary Film (pp. 21-37). Cham: Palgrave Macmillan. https://doi.org/10.1007/978-3-319-90332-3_2

Vancouver

Bondebjerg I. A documentary of the Mind: Self, Cognition and Imagination in Anders Østergaard's film. In Brylla C, Kramer M, editors, Cognitive Theory and Documentary Film. Cham: Palgrave Macmillan. 2018. p. 21-37 https://doi.org/10.1007/978-3-319-90332-3_2

Author

Bondebjerg, Ib. / A documentary of the Mind : Self, Cognition and Imagination in Anders Østergaard's film. Cognitive Theory and Documentary Film. editor / Catalin Brylla ; Mette Kramer. Cham : Palgrave Macmillan, 2018. pp. 21-37

Bibtex

@inbook{1f5a64ee850b428abc8d9efc964e6a30,
title = "A documentary of the Mind: Self, Cognition and Imagination in Anders {\O}stergaard's film",
abstract = "Though the complexity of documentary genres is acknowledged in documentary theory, the fundamental role of narrative, emotion and imagination is often underestimated. This article deals with the fundamental role of these elements in our experience of reality and across the genres of fiction and non-fiction. Based on cognitive theories of emotion and the self, the article argues for a stronger focus on the embodied mind in documentary studies. The Danish documentary filmmaker, Anders {\O}stergaard, has called his films “a documentary of the mind”. His films illustrate the theory of the embodied mind through a creative and narrative strategy, also found in documentaries in general. His films point to the importance of narrative and emotion for the understanding of the making of and reception of documentary.",
keywords = "Faculty of Humanities, Dokumentarfilm, kognitionsteori, Anders {\O}stergaard",
author = "Ib Bondebjerg",
year = "2018",
month = "8",
day = "1",
doi = "10.1007/978-3-319-90332-3_2",
language = "English",
isbn = "9783319903316",
pages = "21--37",
editor = "Catalin Brylla and Mette Kramer",
booktitle = "Cognitive Theory and Documentary Film",
publisher = "Palgrave Macmillan",
address = "United Kingdom",

}

RIS

TY - CHAP

T1 - A documentary of the Mind

T2 - Self, Cognition and Imagination in Anders Østergaard's film

AU - Bondebjerg, Ib

PY - 2018/8/1

Y1 - 2018/8/1

N2 - Though the complexity of documentary genres is acknowledged in documentary theory, the fundamental role of narrative, emotion and imagination is often underestimated. This article deals with the fundamental role of these elements in our experience of reality and across the genres of fiction and non-fiction. Based on cognitive theories of emotion and the self, the article argues for a stronger focus on the embodied mind in documentary studies. The Danish documentary filmmaker, Anders Østergaard, has called his films “a documentary of the mind”. His films illustrate the theory of the embodied mind through a creative and narrative strategy, also found in documentaries in general. His films point to the importance of narrative and emotion for the understanding of the making of and reception of documentary.

AB - Though the complexity of documentary genres is acknowledged in documentary theory, the fundamental role of narrative, emotion and imagination is often underestimated. This article deals with the fundamental role of these elements in our experience of reality and across the genres of fiction and non-fiction. Based on cognitive theories of emotion and the self, the article argues for a stronger focus on the embodied mind in documentary studies. The Danish documentary filmmaker, Anders Østergaard, has called his films “a documentary of the mind”. His films illustrate the theory of the embodied mind through a creative and narrative strategy, also found in documentaries in general. His films point to the importance of narrative and emotion for the understanding of the making of and reception of documentary.

KW - Faculty of Humanities

KW - Dokumentarfilm

KW - kognitionsteori

KW - Anders Østergaard

U2 - 10.1007/978-3-319-90332-3_2

DO - 10.1007/978-3-319-90332-3_2

M3 - Book chapter

SN - 9783319903316

SP - 21

EP - 37

BT - Cognitive Theory and Documentary Film

A2 - Brylla, Catalin

A2 - Kramer, Mette

PB - Palgrave Macmillan

CY - Cham

ER -

ID: 171993968